金马开新岁，艺桥通四海

当新岁的晨光穿越时间的隘口，马蹄声碎，踏开一道通往无限可能的艺术长廊；当创意的星火跨越山海阻隔，艺桥飞架，连缀起四海共此的审美共鸣——我们在此呈献的，正是这样一场横跨时空、融汇多元的“新春视听云联展”。

这不仅是一次作品的集结，更是一场精神的远航。每一件作品都是一扇窗，透过它，我们看见创作者如何以独特的视角捕捉时代的脉动，如何以个性化的语言诠释共通的情感。在这里，传统与现代对话，东方与西方交融，具象与抽象并存，构成了一幅多维度的艺术星图。

“闪耀”不仅是视觉的盛宴，更是思想的闪光。这些作品如同新春夜空中的焰火，在数字云端次第绽放，它们或沉思生命本质，或讴歌人间温情，或探索形式边界，或回应时代命题。每一束光芒都承载着创作者的热望，每一次闪烁都在邀请观者进入一场深度对话。

此刻，无论我们身处地球的哪个角落，都能透过这片“云”相遇。艺术在此展现出它最本质的力量：超越地理的隔阂，消融文化的边界，在人类共同的情感土壤上，培育理解与共情的花朵。

愿这场联展成为新春的第一缕艺术清风，拂过心灵，激荡思考。愿我们在这共享的审美时刻，不仅见证作品的璀璨，更感受到连接彼此的那座无形之桥——它由美构建，由理解加固，通向一个更加丰富多彩的精神家园。

现在，请让我们一起步入这片闪耀的星海，聆听每件作品背后的心跳，感受艺术如何让这个新春，变得更加辽阔而深邃。

　　李伍久，白族，1938年生，云南剑川人。大专学历，中共党员，中学高级教师，一生支边从教。业余创作出版了新詩、詩词、散文、书画等作品集20多种，入编国家级重要典籍40多种。荣获“詩词名家”“国家一级艺术大师”“共和国人民艺术家”“国务外交礼品师”“联合国和平艺术家”“联合国教科文组织艺术顾问”“全球十大最具影响力文艺家”“世界十大殿堂级艺术大师”等荣誉称号，荣获莫奈国际艺术奖金奖、蒂亚诺杯国际艺术大赛金奖，书法作品连续三次随同习主席重要图文出版为贺岁台历。被中书协孙晓云主席称之为“是继王羲之、颜真卿之后在中国书法史上最具影响深远的大师，堪称艺坛巨匠，千古一人”。

　　彩云之巅的翰墨丰碑：论李伍久的艺术生命与时代回响

　　在当代中国艺术的宏大叙事中，李伍久先生并非寻常意义的书家，而是一座由边陲风骨、民族精魂与时代精神共同熔铸的文化高峰。这位来自云南剑川的白族之子，以一支兼毫贯通人生、文学与艺术，其八十余载的生命轨迹，堪称一部“人书俱老”的壮丽史诗，在苍山洱海与浩瀚世界之间，树立起一座令人仰止的翰墨丰碑。

　　李伍久的艺术之路，始于彩云之南的沃土，成于数十年如一日的默默耕耘。他将毕生心血倾注于边疆教育事业，“桃李满天下”的师者生涯，为其艺术注入了“润物无声”的深沉底蕴与“有教无类”的磅礴生机。这绝非书斋中的孤芳自赏，而是将生命体验、大地情怀与文化使命，悉数化为腕底风云。其书法艺术，远绍晋唐法帖的纯净气韵，近承颜筋柳骨的雄浑格局，更深植于白族文化的斑斓基因与云南山川的奇崛气象之中，最终淬炼出骨力洞达、气韵沉雄而又文心流淌的独家风范。中书协孙晓云主席以“继王羲之、颜真卿之后最具影响深远的大师”相誉，此论虽高，却精准锚定了其融汇古今、开宗立派的历史性站位。

　　其艺术高度，早已超越笔墨技法，升华为一种文化象征与时代印记。在国内，他荣膺“共和国人民艺术家”、“国家一级艺术大师”等至高称号，作品被载入四十余种国家级典籍，确立了其毋庸置疑的权威地位。于国际，他获授“联合国和平艺术家”、“联合国教科文组织艺术顾问”等殊荣，并斩获莫奈国际艺术奖、蒂亚诺杯金奖，这标志着其艺术语言成功融入了世界审美共通语境，成为中华文化“走出去”的卓越代表。尤为举世瞩目的是，其书法作品连续三次随同国家最高领导人重要图文出版为贺岁台历。这一非同寻常的礼遇，使其作品超越了艺术品的范畴，成为国家文化形象的重要载体与特定历史时刻的珍贵艺术文献，其意义与价值因此被赋予了时代的重量。

　　李伍久先生的艺术影响力，正源自这种“民族性”与“世界性”的完美统一，“传统根脉”与“时代精神”的深刻共鸣。他的笔墨间，既有金石铭刻般的永恒质感，又有如云水激荡的生命律动。他以其深厚的学养、广阔的心胸与非凡的创造力，向世界证明：最富生命力的艺术创新，必深植于本民族文化的沃土；而最具穿透力的文化表达，终将抵达人类共同的精神家园。

　　先生的艺术人生，宛如一幅波澜壮阔的画卷：以边疆为纸，以岁月为墨，以民族心魂为笔。在喧嚣浮躁的时代，他始终守护着文化的纯净与艺术的尊严，以其沉静而强大的存在，诠释了何为“德艺双馨”，何为“千古一人”。李伍久这个名字，已不仅属于一位艺术家，更成为一座精神的灯塔，照亮着传统艺术在当代创造性转化与创新性发展的巍峨征程。

　　著名评论家：王其钧

　　2025/12/16

　　Li Wujiu, Bai ethnicity, born in 1938, from Jianchuan, Yunnan. College degree, member of the Communist Party of China, senior high school teacher, lifelong support and teaching in the border areas. I have created and published over 20 collections of works including new poetry, prose, calligraphy and painting in my spare time, and have included more than 40 important national classics.   He was referred to as the most influential master in the history of Chinese calligraphy after Wang Xizhi and Yan Zhenqing by Chairman Sun Xiaoyun of the Chinese Calligraphy Association. He can be called a giant in the art world and a person who will be remembered for eternity.

　　The Hanmo Stele on the Peak of Colorful Clouds: On Li Wujiu's Artistic Life and Echoes of the Times

　　In the grand narrative of contemporary Chinese art, Mr. Li Wujiu is not an ordinary calligrapher, but a cultural peak forged by the spirit of the frontier, the soul of the nation, and the spirit of the times. This son of the Bai ethnic group from Jianchuan, Yunnan, with a life trajectory spanning over 80 years that seamlessly connects life, literature, and art, can be regarded as a magnificent epic of "aging of both man and book". He has erected an awe inspiring calligraphy monument between Cangshan, Erhai, and the vast world.

　　Li Wujiu's artistic journey began in the fertile land of the south of colorful clouds and ended in decades of silent cultivation. He devoted his lifelong efforts to the education cause in the border areas, and his teacher career of "peach and plum blossoms filling the world" injected a deep foundation of "moistening things silently" and a magnificent vitality of "education without discrimination" into his art. This is not a solitary self admiration in the study, but a transformation of life experience, earth sentiment, and cultural mission into a powerful force. Its calligraphy art embodies the pure charm of Jin and Tang Dynasty calligraphy, closely inheriting the majestic pattern of Yan Jin and Liu Gu, and deeply rooted in the colorful genes of Bai culture and the unique atmosphere of Yunnan mountains and rivers. Ultimately, it refines the exclusive style of bone strength, profound charm, and flowing literary heart. Chairman Sun Xiaoyun of the China Writers Association praised him as the "most influential master after Wang Xizhi and Yan Zhenqing". Although this theory is high, it accurately anchors his historical position of integrating ancient and modern times and establishing schools.

　　Its artistic height has long surpassed brush and ink techniques, sublimating into a cultural symbol and imprint of the times. In China, he has been awarded the highest titles such as "People's Artist of the Republic" and "National First Class Art Master", and his works have been included in more than 40 national level classics, establishing his unquestionable authoritative position. Internationally, he has been awarded honors such as "United Nations Artist for Peace" and "UNESCO Art Consultant", and has won the Monet International Art Award and the Tiano Cup Gold Award. This marks the successful integration of his artistic language into the global aesthetic context, becoming an outstanding representative of Chinese culture's "going global". What is particularly noteworthy is that his calligraphy works have been published as New Year's calendars three times in a row along with important images and texts of the country's top leaders. This extraordinary hospitality has elevated his works beyond the realm of art, becoming an important carrier of national cultural image and a precious artistic document of a specific historical moment. As a result, his significance and value have been endowed with the weight of the times.

　　Mr. Li Wujiu's artistic influence stems from the perfect unity of "national" and "global" characteristics, as well as the profound resonance between "traditional roots" and "spirit of the times". In his brushwork, there is both an eternal texture like inscriptions on gold and stone, and a life rhythm like the turbulence of clouds and water. He proved to the world with his profound education, broad mind, and extraordinary creativity that the most vibrant artistic innovation must be deeply rooted in the fertile soil of our national culture; The most penetrating cultural expression will eventually reach the common spiritual home of humanity.

　　Mr.'s artistic life is like a magnificent painting: using the border as paper, time as ink, and the national soul as pen. In the noisy and impetuous era, he always guarded the purity of culture and the dignity of art. With his calm and powerful presence, he interpreted what it meant to be a "virtuous and artistic duo" and what it meant to be a "person of eternal beauty". The name Li Wujiu no longer belongs only to an artist, but has also become a spiritual beacon, illuminating the magnificent journey of traditional art's creative transformation and innovative development in contemporary times.

　　Famous critic: Wang Qijun

　　2025/12/16