金马开新岁，艺桥通四海

当新岁的晨光穿越时间的隘口，马蹄声碎，踏开一道通往无限可能的艺术长廊；当创意的星火跨越山海阻隔，艺桥飞架，连缀起四海共此的审美共鸣——我们在此呈献的，正是这样一场横跨时空、融汇多元的“新春视听云联展”。

这不仅是一次作品的集结，更是一场精神的远航。每一件作品都是一扇窗，透过它，我们看见创作者如何以独特的视角捕捉时代的脉动，如何以个性化的语言诠释共通的情感。在这里，传统与现代对话，东方与西方交融，具象与抽象并存，构成了一幅多维度的艺术星图。

“闪耀”不仅是视觉的盛宴，更是思想的闪光。这些作品如同新春夜空中的焰火，在数字云端次第绽放，它们或沉思生命本质，或讴歌人间温情，或探索形式边界，或回应时代命题。每一束光芒都承载着创作者的热望，每一次闪烁都在邀请观者进入一场深度对话。

此刻，无论我们身处地球的哪个角落，都能透过这片“云”相遇。艺术在此展现出它最本质的力量：超越地理的隔阂，消融文化的边界，在人类共同的情感土壤上，培育理解与共情的花朵。

愿这场联展成为新春的第一缕艺术清风，拂过心灵，激荡思考。愿我们在这共享的审美时刻，不仅见证作品的璀璨，更感受到连接彼此的那座无形之桥——它由美构建，由理解加固，通向一个更加丰富多彩的精神家园。

现在，请让我们一起步入这片闪耀的星海，聆听每件作品背后的心跳，感受艺术如何让这个新春，变得更加辽阔而深邃。

　　张泗端,号端石,中共党员,1953年生。当代书法家。毕业于解放军政治学院、首都师范大学中国书法文化研究院研究生班。国宝艺术传承人，中央电视总台环球奇观艺术总监，中国书画家联谊会书画研究委员会委员，中国老年书画研究会研修交流工作委员会副主任，中国书画家报编委，央广文旅文化形象大使，中国文化传播大使，中国文化国际形象大使，央视文化产业中心书法评论家，中央电视台签约书法家，CCTV央视在线栏目组艺术顾问，文化复兴杰出贡献艺术家，中国名家书画院首批挂牌艺术家，中央艺术名家书画院首批央美智库专家。张泗端先生秉承恩师欧阳中石“作字行文,文以载道,以书焕采,切时如需”的书学思想,坚持“重传统,随时代,求自我”的书法学习理念,坚持书法的传统性和民族性,坚持艺术为人民、为时代服务的创作方向,德艺双修,品行端良。多年来创作书法作品五千多幅,数十次参加国际国内书法展赛、活动,有广泛的社会影响。在成年累月的习书过程中,其在与书法文化相关的儒道释、中医、诗词等传统文化上有所用功。擅作楷书、行书、草书、榜书。作品有突出的个人风貌。

　　在书法艺术的浩瀚星空中，张泗端先生以端楷独树一帜，开创了书法新境。端楷，顾名思义，取"端正"与"楷则"之精义，既承袭传统楷书之法度，又融入创新之精神，形成一种结构严谨、笔法精妙、气韵生动的独特书体。 张泗端先生数十年如一日，临池不辍，从钟繇之古朴自然到颜真卿之雄强浑厚，皆深入研习，汲取百家之长，终成一家之风。每当提笔挥毫，便忘却尘世纷扰，全身心投入于线条与墨韵之间。其创作过程，不仅是技艺的展现，更是心灵的对话。夜深人静时，他常独坐灯下，反复推敲点画之微妙变化，追求每一笔的灵动与平衡。这种精神，正如古人所言："意蕴诸家，风驰雁塔吟毫健；姿循八法，露坠龙门游刃余。" 端楷的诞生，正是这种不懈探索的结晶，它既保留了楷书的方正平直，又赋予其时代的新意，堪称"形体方正，笔画平直，可作楷模"的现代诠释。

　　

　　Zhang Siduan, also known as Duanshi, is a member of the Communist Party of China and was born in 1953. Contemporary calligraphers. Graduated from the graduate program of the Political College of the People's Liberation Army and the Chinese Calligraphy Culture Research Institute of Capital Normal University. National Treasure Art Inheritor, Global Wonder Art Director of CCTV, Member of the Calligraphy and Painting Research Committee of the Chinese Calligraphers and Painters Association, Deputy Director of the Training and Exchange Working Committee of the Chinese Elderly Calligraphy and Painting Research Association, Editorial Board Member of the Chinese Calligraphers and Painters Newspaper, Cultural Image Ambassador of CGTN, Cultural Communication Ambassador of China, International Image Ambassador of Chinese Culture, Calligraphy Critic of CCTV Cultural Industry Center, Contracted Calligrapher of CCTV, Art Consultant of CCTV Online Program Group, Outstanding Contribution Artist to Cultural Renaissance, First Batch of Listed Artists of China Famous Calligraphy and Painting Academy, and First Batch of Central American Think Tank Experts of China Academy of Fine Arts Famous Calligraphy and Painting. Mr. Zhang Siduan adheres to his mentor Ouyang Zhongshi's calligraphy philosophy of "writing characters and writing, conveying ideas through literature, using calligraphy to shine, and adapting to the needs of the times". He upholds the calligraphy learning philosophy of "valuing tradition, following the times, and seeking self", insists on the traditional and national characteristics of calligraphy, and adheres to the creative direction of art serving the people and the times. He cultivates both morality and art, and has a good character. Over the years, he has created more than 5000 calligraphy works and participated in dozens of international and domestic calligraphy exhibitions and events, with a wide social influence. In the process of studying calligraphy for years, he has made efforts in traditional culture related to calligraphy, such as Confucianism, Taoism, Buddhism, traditional Chinese medicine, and poetry. Proficient in writing regular script, running script, cursive script, and Bangshu. The work has a prominent personal style.

　　In the vast starry sky of calligraphy art, Mr. Zhang Siduan has created a new realm of calligraphy with his unique style of Duan Kai. Duan Kai, as the name suggests, takes the essence of "upright" and "regular script", inheriting the traditional rules of regular script while incorporating the spirit of innovation, forming a unique writing style with rigorous structure, exquisite brushwork, and vivid charm. Mr. Zhang Siduan has been studying diligently for decades, drawing on the strengths of various schools of thought, from the simplicity and naturalness of Zhong Yao to the strength and profundity of Yan Zhenqing, and ultimately becoming a member of one family. Whenever I pick up my pen and brush my brush, I forget about the hustle and bustle of the world and immerse myself wholeheartedly in the interplay between lines and ink. The creative process is not only a display of skills, but also a dialogue of the soul. In the quiet of the night, he often sits alone under the lamp, pondering over the subtle changes in his paintings, pursuing the agility and balance of every stroke. This spirit, as the ancients said, "embodies various schools of thought, with the wind galloping through the Wild Goose Pagoda and the sound of sound; following the eight methods of posture, revealing the remnants of the dragon gate wandering." The birth of Duan Kai is the crystallization of this unremitting exploration. It not only preserves the square and straight shape of Kai script, but also endows it with new ideas of the times. It can be regarded as a modern interpretation of "square form, straight strokes, and can serve as a model".