金马开新岁，艺桥通四海

当新岁的晨光穿越时间的隘口，马蹄声碎，踏开一道通往无限可能的艺术长廊；当创意的星火跨越山海阻隔，艺桥飞架，连缀起四海共此的审美共鸣——我们在此呈献的，正是这样一场横跨时空、融汇多元的“新春视听云联展”。

　　这不仅是一次作品的集结，更是一场精神的远航。每一件作品都是一扇窗，透过它，我们看见创作者如何以独特的视角捕捉时代的脉动，如何以个性化的语言诠释共通的情感。在这里，传统与现代对话，东方与西方交融，具象与抽象并存，构成了一幅多维度的艺术星图。

　　“闪耀”不仅是视觉的盛宴，更是思想的闪光。这些作品如同新春夜空中的焰火，在数字云端次第绽放，它们或沉思生命本质，或讴歌人间温情，或探索形式边界，或回应时代命题。每一束光芒都承载着创作者的热望，每一次闪烁都在邀请观者进入一场深度对话。

　　此刻，无论我们身处地球的哪个角落，都能透过这片“云”相遇。艺术在此展现出它最本质的力量：超越地理的隔阂，消融文化的边界，在人类共同的情感土壤上，培育理解与共情的花朵。

　　愿这场联展成为新春的第一缕艺术清风，拂过心灵，激荡思考。愿我们在这共享的审美时刻，不仅见证作品的璀璨，更感受到连接彼此的那座无形之桥——它由美构建，由理解加固，通向一个更加丰富多彩的精神家园。

　　现在，请让我们一起步入这片闪耀的星海，聆听每件作品背后的心跳，感受艺术如何让这个新春，变得更加辽阔而深邃。

　　杨翰儒，名坤，字翰儒，号寒心居士。1954年3月生于安徽省临泉县一个偏僻的农村。多年从事书学教育和艺术研究。他六岁在母亲督导下苦学书法，五十多年从不间断，废寝忘食的刻苦求索和艺术实践，使之形成了当今独特的书法艺术和表现技法。在继承了中国传统书法不同书体的基础上，又创作了独具艺术魅力的书法作品。先生承先启后，开拓进取！把古之六体书精演拓展为20多种书体及表现形式，填补了中华书法艺术宝库中的多处空白，为中国国粹艺术作出了杰出的贡献！被世人誉为一代书圣！

　　先生一杆铁笔纵横天下，神州大地无处不至，曾出访过20多个国家进行交流。

　　先生表演书法笔如利剑，得心应手，挥洒自如，出神如化，变化无穷，大处四尺榜书，小到蝇头小楷，随心所欲，酣畅淋漓，作品表现大气磅礴，独步古今，是我国当代书法界最具实力的艺术大家，更是杨氏书体的奠基人和缔造者。

　　Yang Hanru, also known as Kun, styled Hanru, and nicknamed Hanxin Jushi. Born in March 1954 in a remote rural area of Linquan County, Anhui Province. Engaged in book education and art research for many years. At the age of six, under the supervision of his mother, he studied calligraphy diligently for more than fifty years without interruption. His tireless pursuit and artistic practice, regardless of sleep or food, have formed the unique calligraphy art and expression techniques of today. On the basis of inheriting different styles of traditional Chinese calligraphy, he also created calligraphy works with unique artistic charm. Sir, carry on the past and forge ahead! Expanding the refinement of the ancient six character calligraphy into over 20 different styles and forms of expression, filling many gaps in the treasure trove of Chinese calligraphy art, and making outstanding contributions to Chinese national art! Regarded as a literary saint by the world! Sir, with a single iron pen, he stretches across the world and has visited more than 20 countries for exchanges throughout the land of China. The gentleman's calligraphy strokes are like sharp swords, skillfully and freely executed. He is as ethereal as a spirit, with endless variations. His calligraphy ranges from four feet in size to small regular script, allowing him to express himself freely and passionately. His works are grand and magnificent, standing alone in ancient and modern times. He is the most powerful artist in contemporary Chinese calligraphy and the founder and creator of Yang's calligraphy style.

　　墨海开新境铁笔铸华章：杨翰儒的书法求索

　　杨翰儒（字坤，号寒心居士），生于安徽临泉，六岁即在母亲督导下执笔习书，五十余年如一日潜心墨海。其艺术生涯，是一部以苦修筑基、以创新破局的奋斗史。他以深厚的传统学养为根基，在书体拓展与笔墨表现上独树一帜，被尊为“杨氏书体”奠基人，其艺术成就获国际认可，荣膺美国科罗拉多工程大学荣誉博士、联合国世界和平文化大使等职。

　　杨翰儒的艺术造诣，首重对传统书法的深度继承与系统性突破。他遍临历代碑帖，精研古之六体（篆、隶、楷、行、草及古文），深得精髓。然其不凡之处，在于不囿于古法，以非凡的创造力与学术视野，将传统六体精研拓展为二十余种独具艺术魅力的新书体及表现形式，如融篆籀古意与现代构成的"铁线篆变体"、取法汉简又强化波磔韵律的"飞白波磔体"、兼收魏碑雄浑与行草流动的"魏楷新风"等。这种基于深厚传统根基的理性创造，系统性地丰富了中国书法的表现维度，填补了书体谱系的多项空白，是对中华书法艺术宝库的实质性贡献。

　　在笔墨技艺上，杨翰儒展现出惊人的掌控力与表现力。其书写被誉为"铁笔纵横"，代表作《天地正气》以丈二匹纸书擘窠大字，运笔如剑，逆锋涩进，墨色如铸铁凝金，字势雄奇险绝，尽显浩然之气；而《心经》蝇头小楷，笔锋细若发丝却力透纸背，结字空灵疏朗，于方寸间见清净禅意。无论是巨幅榜书还是精微小楷，皆能挥洒自如，意到笔随。其作品气象雄浑磅礴，酣畅淋漓，线条充满张力与节奏，在强烈的视觉冲击中蕴含着深厚的传统笔法底蕴。这种将扎实功底、磅礴气魄与形式创新完美融合的风格，是其"杨氏书体"的核心特质。

　　杨翰儒的艺术影响力早已超越国界。其足迹遍及神州，出访二十余国进行文化交流，"铁笔"所至，播撒中华书法艺术之种。他担任世界非物质文化遗产研究院副院长等职，积极推动中国书法在世界舞台的传播与认知。其作品作为国宾礼特供，成为文化外交的典雅名片。

　　杨翰儒的书法之路，是"板凳要坐十年冷"的坚韧修行，更是"笔墨当随时代"的勇敢开拓。从临泉乡野走向国际舞台，他以半个多世纪的不辍耕耘，在承续千年文脉的同时，以理性而富有创造力的探索，为古老的书法艺术注入了新的活力。其创立的"杨氏书体"谱系及《天地正气》《心经》等典范之作，不仅标志着个人艺术的高度成熟，更以学术性与艺术性兼备的实践，为中国书法当代创新提供了系统性的方法论参照，具有深远的学科建设意义。

　　Mohai opens up a new realm, iron pen forges splendid chapters: Exploring Yang Hanru's calligraphy

　　Yang Hanru (styled Kun, also known as Hanxin Jushi) was born in Linquan, Anhui. At the age of six, he began writing and studying under his mother's supervision, dedicating himself to the world of ink for over fifty years. His artistic career is a history of hard work building foundations and innovation breaking through obstacles. Based on his profound traditional education, he stands out in the expansion of calligraphy and the expression of brush and ink, and is revered as the founder of the "Yang's calligraphy". His artistic achievements have been internationally recognized, and he has been awarded honorary doctorates from Colorado University of Engineering and the United Nations Ambassador for World Peace Culture.

　　Yang Hanru's artistic achievements emphasize the deep inheritance and systematic breakthrough of traditional calligraphy. He visited the inscriptions of various dynasties, meticulously studying the six ancient styles (seal script, clerical script, regular script, cursive script, cursive script, and classical Chinese), and deeply grasped their essence. However, its extraordinary feature lies in not being limited to ancient methods, but in its extraordinary creativity and academic perspective, expanding the traditional six character refined research into more than 20 new styles and expressions with unique artistic charm, such as the "Iron Wire Seal Variant" that integrates ancient and modern elements of seal script, the "Flying White Wave Style" that uses Han bamboo slips to strengthen the rhythm of waves, and the "Wei Kai New Style" that combines the grandeur of Wei steles and the flow of running grass. This rational creation based on a profound traditional foundation systematically enriches the expressive dimensions of Chinese calligraphy, fills multiple gaps in the calligraphic lineage, and is a substantial contribution to the treasure trove of Chinese calligraphy art.

　　In terms of brush and ink techniques, Yang Hanru demonstrated astonishing mastery and expressiveness. His writing is known as the "iron pen crisscrossing", and his representative work "Heaven and Earth's Righteousness" is written in large characters on two zhang of paper, with strokes like a sword, moving against the sharp edge, and ink like cast iron and gold. The characters are majestic, dangerous, and full of grandeur; And the Heart Sutra is written in small regular script with a fine brush like a hair, yet it penetrates through the back of the paper. The characters are ethereal and clear, revealing a pure and serene Zen spirit in every inch. Whether it's a huge bulletin board or a delicate small regular script, it can be written with ease and meaning. His works have a majestic and vigorous atmosphere, full of tension and rhythm in their lines, and contain profound traditional brushwork in a strong visual impact. This style, which perfectly integrates solid foundation, grandeur, and innovative form, is the core characteristic of its "Yang style calligraphy".

　　Yang Hanru's artistic influence has long surpassed national borders. His footprints spread throughout China, he visited more than 20 countries for cultural exchanges, and wherever he went, he spread the seeds of Chinese calligraphy art. He serves as the Vice President of the World Intangible Cultural Heritage Research Institute and actively promotes the dissemination and recognition of Chinese calligraphy on the world stage. As a special gift for state guests, his works have become an elegant business card for cultural diplomacy.

　　Yang Hanru's path in calligraphy is not only a tenacious practice of "sitting on a bench for ten years", but also a brave exploration of "brush and ink should follow the times". From the rural areas of Linquan to the international stage, he has been tirelessly cultivating for over half a century. While inheriting a thousand year cultural heritage, he has injected new vitality into the ancient art of calligraphy through rational and creative exploration. The establishment of the "Yang's Calligraphy Style" lineage and exemplary works such as "Heaven and Earth Zhengqi" and "Heart Sutra" not only marks the high maturity of personal art, but also provides a systematic methodological reference for contemporary innovation in Chinese calligraphy through both academic and artistic practices, with profound disciplinary construction significance.