金马开新岁，艺桥通四海

当新岁的晨光穿越时间的隘口，马蹄声碎，踏开一道通往无限可能的艺术长廊；当创意的星火跨越山海阻隔，艺桥飞架，连缀起四海共此的审美共鸣——我们在此呈献的，正是这样一场横跨时空、融汇多元的“新春视听云联展”。

这不仅是一次作品的集结，更是一场精神的远航。每一件作品都是一扇窗，透过它，我们看见创作者如何以独特的视角捕捉时代的脉动，如何以个性化的语言诠释共通的情感。在这里，传统与现代对话，东方与西方交融，具象与抽象并存，构成了一幅多维度的艺术星图。

“闪耀”不仅是视觉的盛宴，更是思想的闪光。这些作品如同新春夜空中的焰火，在数字云端次第绽放，它们或沉思生命本质，或讴歌人间温情，或探索形式边界，或回应时代命题。每一束光芒都承载着创作者的热望，每一次闪烁都在邀请观者进入一场深度对话。

此刻，无论我们身处地球的哪个角落，都能透过这片“云”相遇。艺术在此展现出它最本质的力量：超越地理的隔阂，消融文化的边界，在人类共同的情感土壤上，培育理解与共情的花朵。

愿这场联展成为新春的第一缕艺术清风，拂过心灵，激荡思考。愿我们在这共享的审美时刻，不仅见证作品的璀璨，更感受到连接彼此的那座无形之桥——它由美构建，由理解加固，通向一个更加丰富多彩的精神家园。

现在，请让我们一起步入这片闪耀的星海，聆听每件作品背后的心跳，感受艺术如何让这个新春，变得更加辽阔而深邃。

　　大洋彼岸的书艺天使

　　---记著名美籍书法家孙惠莉

　　吴衍盛

　　马年新春将至，美国洛杉矶华人社区及诸多景点年味愈浓。其间洛杉矶各大酒店、商会、包括洛杉矶动物园等纷纷展开了庆祝中国新年现场书法表演活动！中外文化交流热闹非凡！

　　著名美籍书法家孙惠莉广受邀请，为来自世界各国的游客现场挥毫，书写新年祝福，感受中华传统文化的魅力！

　　只见孙慧丽凝神聚气，饱蘸浓墨的毛笔在红纸上流转自如。其楷书笔势雄健，工整端庄；其行书飘逸灵动，墨韵流畅。落笔间“马到成功”“福满家门”等吉祥语跃然纸上，墨迹干湿浓淡恰到好处，每一笔都尽显深厚功底，兼具美感与韵味，赢得众人阵阵赞叹。许多观赏者说：当孙慧丽铺开长卷，研墨舔笔，在金色的阳光里，将新年的憧憬一笔一划地镌刻在红纸上时，那不仅仅是毛笔字的排列组合，更是一种跨越太平洋的文化共振。孙惠莉精湛的书艺赢得了中外游客的喜爱，并争相追捧。游客门喜得墨宝并沉浸在墨香与喜庆交织的氛围里！

　　孙慧丽现为美国书画艺术研究院教授，一级美术师。1956年出生于辽宁，成长于湖北武汉，自幼深受父母熏陶，酷爱书法艺术。曾任湖北省首届女书法家协会副会长，师从中国当代著名书画篆刻大师邓少峰先生。并于1991年在武汉大学中文系暨湖北书法家协会首届书法评论研修班深造，1997年赴美定居。

　　数十年来，孙慧丽摒却尘嚣，终日潜心临池、心摹手追，废寝忘食钻研结体、章法与墨韵，从形似到神似，步步深耕，只为悟得书法真髓。

　　业内人士评介孙慧丽书法作品字如其人，端庄秀雅，气韵生动，笔势大气磅礴，线条流畅有力。并且，其作品形式多样，有斗方，三开，对幅，中堂，条幅，楹联，扇面等。内容主要是格言，警句和诗词，诸如：惜缘，达观，精气神，仁者寿，厚德载物，上善若水，海纳百川有容乃大，壁立千仞无欲则刚，等等。最吸引眼球的是几幅长卷，包括：李白的《将进酒》，苏轼的《念奴娇·赤壁怀古》，岳飞的《满江红》和毛泽东的《沁园春·雪》等。这几幅呖尽心血的长卷皆是笔走龙蛇，一气呵成。在点画、结构、章法和墨色上尽显功力，令人折服。

　　孙慧丽的书法作品用笔灵动，变化万千，独具创意,展现了其对书法艺术的个性追求和创新精神，富有情感和抒发，给观者以强烈的视觉冲击和酣畅淋漓的快感。

　　多年来，孙慧丽创作了大量书法作品（参展作品达200余件），多次参加中美书画艺术交流会。先后获得世界华人书法大赛金奖等，2011年又荣获第四届中美名家书画联展金奖。2012年10月，作为洛杉矶华人艺术家代表，受邀美国CHASE（摩根）银行《艺途》晚宴现场挥毫。

　　其作品广为各国艺术机构及私人收藏，被誉为传播中华传统文化的大洋彼岸的书艺天使！

　　The Angel of Calligraphy on the Other Side of the Ocean

　　---Famous American calligrapher Sun Huili

　　Wu Yansheng

　　The Chinese New Year of the Horse is approaching, and the Chinese community and many scenic spots in Los Angeles are becoming more and more festive. During this period, major hotels, chambers of commerce, and even the Los Angeles Zoo in Los Angeles launched live calligraphy performances to celebrate the Chinese New Year! The cultural exchange between China and foreign countries is lively and extraordinary!

　　Famous American calligrapher Sun Huili has been widely invited to perform calligraphy and write New Year's greetings on site for tourists from all over the world, experiencing the charm of traditional Chinese culture!

　　I saw Sun Huili concentrate and gather her energy, her brush dipped in thick ink flowing freely on the red paper. His regular script strokes are vigorous, neat and dignified; Its running script is graceful and agile, with smooth ink flow. During the stroke, auspicious words such as "success on horseback" and "blessings filling the door" jumped onto the paper, and the ink stains were just right in terms of dryness, wetness, and richness. Each stroke showed a profound foundation, combining beauty and charm, winning praise from everyone. Many viewers say that when Sun Huili spreads out her long scroll, rubs ink and licks her pen, and engraves her New Year's aspirations on red paper in the golden sunshine, it is not just a combination of calligraphy, but also a cultural resonance across the Pacific. Sun Huili's exquisite calligraphy has won the love of Chinese and foreign tourists, and is eagerly sought after. Tourists are delighted to receive ink treasures and immerse themselves in the atmosphere of ink fragrance and celebration!

　　Sun Huili is currently a professor and a first-class artist at the American Academy of Painting and Calligraphy. Born in Liaoning in 1956 and raised in Wuhan, Hubei, he was deeply influenced by his parents since childhood and has a great love for calligraphy art. Formerly served as the vice president of the first Women Calligraphers Association in Hubei Province, under the guidance of Mr. Deng Shaofeng, a renowned contemporary Chinese master of calligraphy, painting, seal carving. And in 1991, he pursued further studies in the Chinese Department of Wuhan University and the first Calligraphy Criticism Training Class of Hubei Calligraphers Association. In 1997, he settled in the United States.

　　For decades, Sun Huili has set aside the hustle and bustle of the world, dedicating herself to studying calligraphy by the pond, imitating others, and tirelessly studying the structure, composition, and ink rhyme, from form to spirit, step by step, in order to understand the true essence of calligraphy.

　　Industry insiders evaluate Sun Huili's calligraphy works as if they were her own, with dignified and elegant characters, vivid charm, majestic brushstrokes, and smooth and powerful lines. Moreover, his works come in various forms, including fighting squares, three openings, couplets, naves, banners, couplets, fans, etc. The content mainly consists of maxims, aphorisms, and poetry, such as: cherishing fate, being optimistic, having spirit and energy, benevolence leads to longevity, being virtuous and carrying things, being kind as water, accommodating the sea to all rivers, standing tall without desire leads to strength, and so on. The most eye-catching ones are several long volumes, including Li Bai's "Going to Wine", Su Shi's "Channu Jiao · Remembering the Past in Red Cliff", Yue Fei's "Man Jianghong" and Mao Zedong's "Qinyuan Spring · Snow". These long scrolls, which have been painstakingly crafted, are all written in one go. He demonstrated his skill in pointillism, structure, composition, and ink color, which was impressive.

　　Sun Huili's calligraphy works are characterized by agile brushstrokes, diverse variations, and unique creativity, showcasing her individual pursuit and innovative spirit in calligraphy art. They are rich in emotions and expressions, providing viewers with a strong visual impact and a thrilling pleasure.

　　Over the years, Sun Huili has created a large number of calligraphy works (more than 200 exhibited works) and has participated in several Sino US calligraphy and painting art exchange conferences. He has successively won the gold medal in the World Chinese Calligraphy Competition, and in 2011, he also won the gold medal in the 4th China US Famous Calligraphers and Painters Exhibition. In October 2012, as a representative of Chinese artists in Los Angeles, I was invited to perform calligraphy at the CHASE (Morgan) Bank's "Art Path" dinner in the United States.

　　His works are widely collected by art institutions and private individuals in various countries, and he is known as the angel of calligraphy on the other side of the ocean spreading traditional Chinese culture!

　　墨舞太平洋：孙惠莉书法的传统根脉与跨文化共振

　　——评美籍书法家孙惠莉的艺术境界与海外传播

　　当孙惠莉饱蘸浓墨的笔锋在红纸上从容落下，“马到成功”的雄健筋骨与“福满家门”的飘逸气韵同时绽放，这不仅是一位书家的技艺展示，更是一场跨越太平洋的文化共振。2024年10月，当她的作品与甘富忠33英尺多体长卷同列南加州先锋中华文化联艺中心展墙时，洛杉矶的观者们又一次见证了：中国书法作为“活着的、不断演进的生命体”，在异质文化土壤上依然能够根深叶茂-

　　孙惠莉的艺术生涯，本身就是一部传统书学的现代海外迁徙史。1956年生于辽宁、成长于武汉的她，早年得遇邓少峰先生亲授，又于1991年在武汉大学中文系暨湖北书协首届书法评论研修班完成理论淬火——这使她区别于单纯的“书写者”，而成为兼具实践功力与史论眼光的“书学思考者”。从湖北省首届女书协副会长到1997年赴美定居，这一地理位移恰如她笔墨生涯的分水岭：前四十年是汲古得修绠的苦功，后二十余年则是将中华笔法置于世界艺术语境中的自觉对话。

　　一、笔法精魂：从“形似”到“神似”的复调深耕

　　孙惠莉数十载“摒却尘嚣，终日临池”，其笔墨底色源于对传统谱系的深度皈依。她的楷书“笔势雄健，工整端庄”，可见唐楷法度之森严；行书则“飘逸灵动，墨韵流畅”，分明有晋帖风流之余绪。但这并非亦步亦趋的复古，而是经由“从形似到神似”的蜕变后，将古典语汇化为个人心象的自然流淌。

　　业内人士评其“字如其人，端庄秀雅，气韵生动”，这八字判语精准捕捉了她书风的审美内核。“端庄”是法度的尊严，“秀雅”是性情的流露，“气韵”则是笔墨背后生命律动的外化。 她笔下的“惜缘”温润如玉，“达观”开阖从容，“精气神”三字更是筋骨血肉浑然一体——这正是传统书论中“书者，如也，如其学，如其才，如其志”的当代印证。

　　尤为可贵者，她在长卷巨制中展现出惊人的控场能力。李白《将进酒》的酣畅、苏轼《念奴娇·赤壁怀古》的苍茫、岳飞《满江红》的悲壮、毛泽东《沁园春·雪》的雄浑，四幅长卷“笔走龙蛇，一气呵成”。这种对宏大意象的驾驭，不仅是技巧层面的游刃有余，更是书家与古人跨越千载的精神唱和。 点画的提按使转、章法的疏密跌宕、墨色的干湿浓淡，在此处不再是孤立的技法要素，而成为情感流动的视觉轨迹。

　　二、跨文化语境下的“书艺天使”

　　2012年10月，当孙惠莉作为洛杉矶华人艺术家代表，受邀在摩根银行《艺途》晚宴现场挥毫时，她面对的已不仅是华人同胞，而是来自世界各国的金融精英与文化爱好者。这一场景，恰是她海外书艺生涯的典型缩影：毛笔与红纸、楷法与行草，从唐人街的文化乡愁，逐渐走进主流社会的艺术视野。

　　孙惠莉的珍贵之处，在于她从未将书法降格为猎奇式的“东方异香”。她以斗方、三开、楹联、扇面等传统形制承载“厚德载物”“上善若水”“海纳百川”等东方哲学格言，却让不同文化背景的观者从中读出人类共通的价值观。当金发碧眼的游客捧着她书写的“福”字合影，当摩根银行高管在她长卷前驻足沉思，这已不仅仅是“传播中华文化”的单向输出，而是一种双向激活：传统书法的精神内核，在跨文化对话中被赋予新的当代阐释。

　　评论界称其为“大洋彼岸的书艺天使”，这“天使”一词极耐寻味。它既暗示着孙惠莉作为文化使者的身份，更隐喻着书法在她笔下所获得的某种“灵性”——那是在异国他乡依旧葆有的笔墨温度，是远离母土却从未断裂的文脉呼吸。正如观众所言，当她“在金色的阳光里，将新年的憧憬一笔一划镌刻在红纸上”，那已不是毛笔字的排列组合，而是将中华文明的祈福仪式，转化为人类共有的心灵慰藉。

　　三、创新之度：在个性抒发与传统法度之间

　　当代书坛，常有以“创新”为名消解汉字结构、以“视觉冲击”为名背离书写规范的激进实验。孙惠莉的可贵，在于她始终保持清醒的边界意识。她的作品“用笔灵动，变化万千，独具创意”，却从未滑向不可辨识的狂怪；她追求“强烈的视觉冲击和酣畅淋漓的快感”，却始终以传统笔法为根基，以汉字结体为准绳。

　　这种稳健的创新姿态，或许正源于她双重身份的内在平衡：既是中国书法正统脉系的传承者（邓少峰弟子、湖北书协首届评论班学员），又是活跃于当代国际艺术现场的创作者。她深知传统不是僵硬的桎梏，而是活态的基因；创新不是对历史的切割，而是对古典的创造性转化。 200余件参展作品、世界华人书法大赛金奖、两届中美名家书画联展金奖——这些荣誉既是对她艺术成就的肯定，也是对她所坚持的“守正创新”之路的呼应。

　　结语：绵延千载，亦如初见

　　南加州先锋中华文化联艺中心的展厅里，孙惠莉的书法与谢超林的诗词、甘富忠的篆刻长卷并置一室，共同构成海外华人“诗书画三宝”的文化景观-

　　这样的场景，或许比任何理论阐述都更能说明她的艺术史位置：在中华文化“连绵不绝的生命力与海纳百川的包容性”中，孙惠莉是那个执笔渡海的人。

　　她让李白的酒意、苏轼的江月、岳飞的壮怀、毛泽东的雪景，在太平洋彼岸的宣纸上重新醒来；她用半个世纪的临池功夫告诉世界：中国书法从未被封存在博物馆的玻璃展柜里，它依然在红纸上呼吸，在墨香中生长，在一代代书家的腕底完成永不停歇的灵魂接力。所谓“传统”，或许正是这样一种不断被重新激活的当下；而孙惠莉的笔墨，正是这绵延长河中既古老又崭新的那一朵浪花。