金马开新岁，艺桥通四海

　　李爱军，国家重点非物质文化遗产保护单位正定县德宝轩书画艺苑创始人；河北省礼规文化发展中心、河北省民俗文化研究基地发起人；国家重点非物质文化遗产传承人；中华传统礼规学传承人；无为养生推广人；中国高校非遗教师培训班第三期学员。荣誉：中国传统文化促进会理事；中国非遗保护协会非遗传承职业教育专委会委员；元培工匠智库专家《礼规文化战略性研究特约研究员》；萨尔瓦多共和国驻华大使馆中华文化顾问、中华优秀传统文化创造性转化创新性发展研究院执行副院长；央视美育中国栏目特邀评委导师；2021年荣获央视颁发的建党百年全国首批历史文化传承人；宫廷文化艺术家；入编《全国首批非遗高级传承师》；荣获中华文化养生师承优秀导师；非药物疗法师承传承导师；奥林匹克艺术贡献奖等，中国关工委教育中心优秀指导师。

　　兼任河北省民俗文化协会、河北省文化交流协会副秘书长；河北省传统文化教育学会非遗传承工委会副主任；石家庄市民间艺术协会会员；正定县民俗文化协会副会长；正定县散文协会会员、正定县民间艺术协会理事等职。自2007年德宝轩成立，一直致力于“玉麟轩”系列中国民间木版年画的“原产地生产性市场经营型”活态化传承工作。年画的雕版印刷制作技艺，成熟于汉唐经典大量复制抄印时期，被誉为中国四大发明印刷术的鼻祖，于2009年纳入联合国教科文组织非遗保护名录；北宋的毕昇在此基础上演变产生的“活字印刷术”，两者前后相距四百年，于2010年被纳入世界教科文组织的非遗保护名录，双双成为世界级非遗。

　　千百年来，年画独特的“成教化，助人伦；指鉴贤愚，发明创造；千古寂寥，披图可鉴”；“尊重原创，不走样，不走形，不走神“的设计制作要领，使每一幅作品，都成为千古传世佳作。

　　上世纪八十年代后期联合国教科文组织官员参观武强年画后很震惊，被誉为“东方圣经图解”；文化艺术届称之为“中国农耕文明的缩影”、“民间美术敦煌”；民间大众鉴于它的实用性被誉为“无字真经”、“无字天书”、“封神榜”、“农耕文化的大百科全书”等，在识字率普遍不高的农耕时代，年画还成为城乡大众舆论传播、信仰寄托、文化传承的重要载体。

　　先秦时期既非常发达的“礼之三本，国之四维”礼义文明思想，圆满回答了“人民有信仰，国家有力量，民族有希望”这一历史命题。

　　Li Aijun, founder of Debaoxuan Calligraphy and Painting Art Garden in Zhengding County, a national key intangible cultural heritage protection unit; The initiator of Hebei Provincial Rites and Regulations Culture Development Center and Hebei Provincial Folk Culture Research Base; National key intangible cultural heritage inheritors; The inheritor of traditional Chinese etiquette and rules; Wuwei Health Promotion Person; The third batch of trainees for intangible cultural heritage teachers in Chinese universities. Honor: Director of the Chinese Traditional Culture Promotion Association; Member of the Vocational Education Committee for Intangible Cultural Heritage Inheritance of the China Association for the Protection of Intangible Cultural Heritage; Expert of Yuanpei Craftsman Think Tank, Special Researcher for Strategic Research on Rites and Regulations Culture; Chinese Cultural Advisor of the Embassy of the Republic of El Salvador in China and Executive Vice President of the Institute for Creative Transformation and Innovative Development of Excellent Traditional Chinese Culture; Specially invited judges and mentors for CCTV's Art Education China program; In 2021, he was awarded the first batch of national historical and cultural inheritors for the 100th anniversary of the founding of the Communist Party of China by CCTV; Palace cultural artists; Incorporate into the "National First Batch of Senior Inheritors of Intangible Cultural Heritage"; Received the title of Excellent Mentor in Chinese Culture Health Preservation Teaching; Non pharmacological therapy master inherits the mentor; Olympic Art Contribution Award, etc., Excellent Mentor at the Education Center of the China Customs Working Committee.

　　Simultaneously serving as the Deputy Secretary General of Hebei Folk Culture Association and Hebei Cultural Exchange Association; Deputy Director of the Intangible Cultural Heritage Inheritance Working Committee of Hebei Traditional Culture Education Society; Member of Shijiazhuang Folk Art Association; Vice President of Zhengding County Folk Culture Association; Member of Zhengding County Prose Association, director of Zhengding County Folk Art Association, and other positions. Since its establishment in 2007, Debaoxuan has been committed to the dynamic inheritance of the "Yulinxuan" series of Chinese folk woodblock New Year paintings, focusing on the production and market operation of the country of origin. The engraving and printing technology of New Year pictures was mature in the period when the classics of the Han and Tang Dynasties were copied in large numbers. It is known as the originator of the printing technology of China's the Four Great Inventions, and was included in the UNESCO Intangible Cultural Heritage Protection List in 2009; The "movable type printing" developed by Bi Sheng of the Northern Song Dynasty on this basis, which is 400 years apart, was included in the UNESCO Intangible Cultural Heritage Protection List in 2010 and both became world-class intangible cultural heritage.

　　For thousands of years, the unique characteristics of New Year paintings have been to educate and help people's relationships; to enlighten the wise and the foolish, to invent and create; to be lonely for thousands of years, to paint a picture for reference; The design and production principles of "respecting originality, not deviating from form, not deviating from form, and not deviating from spirit" make every work a timeless masterpiece.

　　In the late 1980s, UNESCO officials were shocked after visiting Wu Qiang's New Year paintings, which were hailed as the "Illustrated Bible of the East"; The cultural and artistic community refers to it as a "microcosm of Chinese agricultural civilization" and "Dunhuang folk art"; Due to its practicality, New Year paintings have been praised by the general public as "wordless scriptures", "wordless heavenly books", "lists of gods", "encyclopedias of agricultural culture", etc. In the agricultural era where literacy rates were generally low, New Year paintings also became an important carrier for urban and rural public opinion dissemination, belief sustenance, and cultural inheritance.

　　The highly developed concept of "Three Elements of Rites and Four Dimensions of the Nation" in the pre Qin period perfectly answered the historical proposition of "the people have faith, the country has strength, and the nation has hope".