汪振福，男，1937年出生，安徽绩溪人。中央国家机关书法家协会会员，新文艺群体书画家工作委员会会员，中国楹联学会会员，安徽省书协会员。中国文学艺术工作者联合会全国委员会委员，文化部中华民族文化促进会会员，中国文艺协会理事。书法作品参加全国书画大赛多次获奖，并入编多部大型辞书。作品赴纽约联合国、日本、台湾、迪拜、韩国、香港、北京等地区参赛并获奖。2008年5月书法作品“中华龙”被中国邮政、世纪大风采收入改革开放三十年纪念邮票。中国名家书画院研究会授予奥运风云人物。“2009年中国文艺协会授予全国文艺百家称号”。“中国时代风采征评活动组委会”授予2010年度中国时代最具影响力书画大师特别金奖，2010年11月在“第七届中国文化艺术政府奖‘文华奖’”评选活动中获得“最佳创作奖”,2012年12月，中国大师路专访录制。2013年国务院发展研究中心主办《中国发展观察》第五期专版汪振福书法作品选。书法作品“美丽中华龙”被人民大会堂和国家博物馆收藏。2015年7月全国首届书法师职业鉴定培训班取得良好成绩。2016年9月广西柳州“中国文化管理协会企业管理年会”荣获“2016年度企业书法贡献人物”，2016年10月入选北京国礼认证中心一带一路国礼个人集，2016年11月书法作品入选八达岭新长城碑林，景观石“新长城文化园”题名，2016年12月入选北京翰墨艺评研究院“大红袍”个人专集。苏士澍主席评：汪先生对书法艺术执著追求，……多年来的努力在书法界有较高的评价……。中国书协副主席、北京市书协主席林岫评语：汪先生的书法古朴典雅，又不失时代的个性，静谧绝尘而又饱含激情，结体内敛外放，拙而不怪，秀美中透着俊朗，那种美是润物细无声的美，不是张扬的美，是永不褪色的美。沈鹏老师点评：骨力矫健、筋骨特露、刚健遒媚且大小颇有错落，巧富变化、行间气脉流贯、妙里无穷、布局严谨、匠心独聚。孙其峰老师点评：书风古朴庄重、格调高雅、结体舒展流畅、清新亮丽。欧阳中石老师点评：运笔自然、潇洒飘逸。范曾老师点评：书法过于传统，在传统的基础上不乏创新，线条优美，整体布局美观，做人可以低调，但是作品一定不能低调，汪振福老师给人一种“不与浮世争名利，只与古贤论高低”风格Wang Zhenfu, male, born in 1937, from Jixi, Anhui. Member of the Calligraphers Association of Central State Organs, Member of the Calligraphers and Painters Working Committee of the New Literature and Art Group, Member of the Chinese Couplet Society, and Member of the Anhui Calligraphers Association. Member of the National Committee of the Chinese Federation of Literary and Artistic Workers, member of the Chinese Ethnic Culture Promotion Association of the Ministry of Culture, and director of the China Literature and Art Association. My calligraphy works have won multiple awards in the National Calligraphy and Painting Competition and have been incorporated into several large-scale dictionaries.In May 2008, the calligraphy work "Chinese Loong" was included in the commemorative stamps of the 30 years of reform and opening up by China Post and Century Splendor. The Research Association of the Chinese Academy of Calligraphy and Painting awarded the title of Olympic Person of Glory. In 2009, the China Literature and Art Association awarded the title of National Hundred Literary and Art Masters. The Organizing Committee of the "China Times Style Evaluation Activity" awarded the 2010 China Times Most Influential Calligraphy and Painting Master Special Gold Award. In November 2010, it won the "Best Creation Award" in the "7th China Culture and Art Government Award" Wenhua Award "selection activity. In December 2012, it was recorded in an interview with China Masters Road. In 2013, the Development Research Center of the State Council hosted the selection of Wang Zhenfu's calligraphy works for the fifth edition of "China Development Observation". The calligraphy work "Beautiful Chinese Loong" was collected by the Great Hall of the People and the National Museum. The first professional appraisal training course for calligraphers in China achieved good results in July 2015. In September 2016, Liuzhou, Guangxi, won the "2016 Annual Corporate Calligraphy Contribution Figures" in the "China Cultural Management Association Annual Meeting". In October 2016, it was selected into the National Rites Personal Collection of the the Belt and Road National Rites Certification Center in Beijing. In November 2016, its calligraphy works were selected into the Badaling New Great Wall Stele Forest, the landscape stone was named "New Great Wall Cultural Park", and in December 2016, it was selected into the "Dahongpao" Personal Collection of the Beijing Academy of Handwriting Arts. Chairman Su Shishu's comment: Mr. Wang's persistent pursuit of calligraphy art has been highly praised in the calligraphy industry for his years of hard work. Lin Xiu, Vice Chairman of the China Calligraphers Association and Chairman of the Beijing Calligraphers Association, commented: Mr. Wang's calligraphy is simple and elegant, yet still retains the personality of the times. It is quiet, dust-free, and full of passion. The structure is introverted and outgoing, clumsy but not strange, and the beauty exudes handsomeness. That kind of beauty is the beauty that moistens things silently, not the beauty that is flamboyant, but the beauty that never fades. Teacher Shen Peng's comments: With agile bone strength, outstanding muscles and bones, strong and graceful, and a considerable amount of staggered sizes, it is skillfully rich in changes, with continuous flow of qi between rows, infinite ingenuity, rigorous layout, and unique craftsmanship. Teacher Sun Qifeng's comments: The style of the book is simple and dignified, with an elegant style, a smooth and flowing structure, and a fresh and bright appearance. Teacher Ouyang Zhongshi's comment: The brushstrokes are natural, graceful and elegant. Teacher Fan Zeng's comment: Calligraphy is too traditional, and there is no lack of innovation on the basis of tradition. The lines are beautiful, and the overall layout is beautiful. Being a person can be low-key, but one's work must not be low-key. Teacher Wang Zhenfu gives people a style of "not competing with the mundane world for fame and fortune, only discussing high and low with ancient sages"
