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金马开新岁,艺桥通四海:全清耀作品闪耀新春云联展
来源: | 作者:pmt70da0b | 发布时间: 2026-02-14 | 12 次浏览 | 分享到:
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金马开新岁,艺桥通四海


当新岁的晨光穿越时间的隘口,马蹄声碎,踏开一道通往无限可能的艺术长廊;当创意的星火跨越山海阻隔,艺桥飞架,连缀起四海共此的审美共鸣——我们在此呈献的,正是这样一场横跨时空、融汇多元的“新春视听云联展”。

这不仅是一次作品的集结,更是一场精神的远航。每一件作品都是一扇窗,透过它,我们看见创作者如何以独特的视角捕捉时代的脉动,如何以个性化的语言诠释共通的情感。在这里,传统与现代对话,东方与西方交融,具象与抽象并存,构成了一幅多维度的艺术星图。

“闪耀”不仅是视觉的盛宴,更是思想的闪光。这些作品如同新春夜空中的焰火,在数字云端次第绽放,它们或沉思生命本质,或讴歌人间温情,或探索形式边界,或回应时代命题。每一束光芒都承载着创作者的热望,每一次闪烁都在邀请观者进入一场深度对话。

此刻,无论我们身处地球的哪个角落,都能透过这片“云”相遇。艺术在此展现出它最本质的力量:超越地理的隔阂,消融文化的边界,在人类共同的情感土壤上,培育理解与共情的花朵。

愿这场联展成为新春的第一缕艺术清风,拂过心灵,激荡思考。愿我们在这共享的审美时刻,不仅见证作品的璀璨,更感受到连接彼此的那座无形之桥——它由美构建,由理解加固,通向一个更加丰富多彩的精神家园。

现在,请让我们一起步入这片闪耀的星海,聆听每件作品背后的心跳,感受艺术如何让这个新春,变得更加辽阔而深邃。



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  全清耀艺术简介


  一、艺术生涯与成就


  全清耀,字逸士,号双修阁主,1955年生,现为中国老年书画研究会协会会员、重庆市老年书法家协会理事等职。其艺术生涯跨越书法与绘画两大领域,以行草见长,兼擅水墨写意,作品融合传统技法与现代审美,形成独特的“意象万千”风格。


  全清耀自幼痴迷书画,曾临摹欧阳询、王羲之、米芾等历代名家,后师承钱松喦、张大千等大家,逐渐形成稳健中见灵动的笔法。其行书笔意略带“二王”遗风,兼具怀素草书的奔放与毛泽东书法的豪迈,被评论家誉为“行笔稳健,书写娴熟”。绘画方面,他擅长水墨与淡彩主题多聚焦城市与自然的对话,通过抽象构图传递对现代生活的哲思。


  艺术成就方面,全清耀多次在国内外展览中获奖:2008年获中国奥运会书画展书法一等奖,被授予“共和国改革开放先锋人物”称号;2011年在中国共产党成立90周年全国书画展中荣获金奖;2014年纪念毛泽东诞辰120周年诗文书画大赛中再获一等奖,并获“东方之子·共和国功勋文艺家”荣誉。其作品被中国国学研究院、中国收藏家协会等机构收藏,并曾受沈鹏题词赞誉。


  二、创作风格与代表作品


  全清耀的创作以“笔耕墨舞”为核心理念,强调传统与创新的平衡。书法上,他突破程式化书写,融入个人情感,如《环卫集团赋》以行草展现恢弘气度,笔画间透露出对城市精神的礼赞。绘画中,他善用留白与墨色渐变,代表作《江山秀丽》《祈福》系列通过水墨晕染表现江南烟雨,画面空灵却蕴含生机,被赞为“画里有诗,画外有境”。


  其作品题材广泛,涵盖军旅、民俗与自然主题。例如,军旅题材画作以粗犷线条勾勒战士英姿,传递爱国情怀;民俗主题则融入吉祥符号如龙纹,象征力量与传承。全清耀的创作不仅追求技法精湛,更注重精神表达,如《风景独好》系列通过水墨氤氲捕捉生活细节,体现“艺术源于生活”的哲学。


  三、社会贡献与影响


  全清耀积极投身公益与文化传播。2019年,他参与“一带一路”文化宣讲,推动艺术交流;同年,在公益活动中义务创作书画赠予市民,践行“艺术为民”理念。2020年,他签约成为首批“妙品堂签约艺术家”,通过作品展示与推广服务,助力青年艺术家成长。


  其影响力延伸至国际舞台。2024年,作品在欧洲巡展,以水墨抽象风格引发海外观众对东方美学的关注;同年,被媒体誉为“当代殿堂级‘红墙’国宝艺术书画艺术家”,作品成为中外文化交流的桥梁。全清耀的贡献不仅在于艺术成就,更在于他通过教育与实践,传承中华文化精髓,激发大众对传统艺术的兴趣。


  四、结语


  全清耀的艺术生涯是传统与现代的和谐交响。从笔墨耕耘到文化传播,他以“双修阁主”的谦逊姿态,在书法与绘画领域开辟新境。作品如《绿水青山图》静谧深远,又如《军旅赞歌》般激昂澎湃,彰显了他对生活的深刻洞察与对艺术的无限热爱。在当代艺坛,全清耀不仅是创作者,更是文化的守护者与创新者,其精神将持续启迪后人。


  Introduction to Quan Qingyao Art


  1、 Artistic career and achievements


  Quan Qingyao, also known as Yishi and Shuangxiu Ge Zhu, was born in Chongqing in 1955. He is currently a member of the Chinese Elderly Calligraphy and Painting Research Association and a director of the Chongqing Elderly Calligraphers Association. His artistic career spans across two major fields: calligraphy and painting. He is known for his cursive style and also excels in ink painting and freehand brushwork. His works blend traditional techniques with modern aesthetics, forming a unique style of "countless images".


  Quan Qingyao has been obsessed with calligraphy and painting since childhood. He has copied famous artists such as Ouyang Xun, Wang Xizhi, and Mi Fu, and later learned from masters such as Qian Songgui and Zhang Daqian, gradually forming a stable yet dynamic brushwork. His cursive style carries a hint of the legacy of the "Two Kings", combining the boldness of Huai Su cursive script with the boldness of Mao Zedong's calligraphy. He has been praised by critics for his "steady strokes and skillful writing". In terms of painting, he excels in ink and light color themes that focus on the dialogue between the city and nature, conveying philosophical ideas about modern life through abstract composition.


  In terms of artistic achievements, Quan Qingyao has won numerous awards in domestic and international exhibitions. In 2008, he won the first prize in calligraphy at the Chinese Olympic Calligraphy Exhibition and was awarded the title of "Pioneer of Reform and Opening up in the Republic"; In 2011, he won the gold medal in the National Painting and Calligraphy Exhibition on the 90th anniversary of the founding of the CPC; In the 2014 Poetry, Calligraphy and Painting Competition commemorating the 120th anniversary of Mao Zedong's birth, he won the first prize again and was honored with the title of "Son of the East, Meritorious Literary and Artistic Artist of the Republic". His works have been collected by institutions such as the Chinese Academy of Chinese Classics and the Chinese Collectors Association, and have been praised by Shen Peng's inscription.


  2、 Creative style and representative works


  Quan Qingyao's creation is based on the core concept of "pen cultivation and ink dance", emphasizing the balance between tradition and innovation. In terms of calligraphy, he breaks through formulaic writing and incorporates personal emotions, such as in the poem "Ode to the Environmental Sanitation Group", which showcases grandeur through cursive strokes and praises the spirit of the city through the strokes. In his paintings, he makes good use of blank spaces and ink color gradients. His representative works, the "Beautiful Mountains and Rivers" and "Praying for Blessings" series, use ink blending to depict the misty rain of Jiangnan. The paintings are ethereal yet contain vitality, and are praised as "poetry in the paintings and scenery outside the scenes".


  His works cover a wide range of themes, including military, folk, and natural themes. For example, military themed paintings depict the heroic figures of soldiers with rough lines, conveying patriotic sentiments; Folk themes incorporate auspicious symbols such as dragon patterns, symbolizing strength and inheritance. Quan Qingyao's creations not only pursue exquisite techniques, but also focus on spiritual expression. For example, the "Beautiful Scenery" series captures the details of life through ink painting, reflecting the philosophy of "art originates from life".


  3、 Social Contribution and Impact


  Quan Qingyao actively participates in public welfare and cultural dissemination. In 2019, he participated in the "the Belt and Road" cultural propaganda to promote art exchange; In the same year, he voluntarily created calligraphy and painting as gifts to citizens in public welfare activities, practicing the concept of "art for the people". In 2020, he signed up as one of the first "Miaopintang contracted artists" to assist young artists in their growth through exhibition and promotion services.


  Its influence extends to the international stage. In 2024, the work will be exhibited in Europe, attracting overseas audiences' attention to Eastern aesthetics through its abstract ink style; In the same year, he was praised by the media as a "contemporary hall level 'red wall' national treasure art, calligraphy and painting artist", and his works became a bridge for cultural exchange between China and foreign countries. Quan Qingyao's contribution lies not only in his artistic achievements, but also in his ability to inherit the essence of Chinese culture through education and practice, and stimulate public interest in traditional art.


  4、 Conclusion


  Quan Qingyao's artistic career is a harmonious symphony of tradition and modernity. From pen and ink cultivation to cultural dissemination, he opened up new horizons in the fields of calligraphy and painting with the humble attitude of a "double cultivation pavilion master". His works are as serene and profound as "Green Mountains and Waters", and as passionate and surging as "Military Hymn", showcasing his profound insight into life and infinite love for art. In the contemporary art world, Quan Qingyao is not only a creator, but also a guardian and innovator of culture, and his spirit will continue to inspire future generations.


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