李利,男,1958年生,河南沈丘县人,大学学历,河南省书法家,周口市书画研究会理事,中国老年书画研究会会员,中国硬笔书法协会会员,全国书法教育名师,国家一级书法师,2024年特聘中国东方文化研究会高级艺术顾问,2024年特聘中国翰林书画院院士、《羲之报》签约艺术家。
撰写并发表有《文字的起源与书体变革》、《楷书结字歌》、《楷书的学习》、《书法中的哲学运用》、《书法360》、《行书要诀》等理论文章,2020年被中国书协编入1949-2020《名家档案》——走向国际的华人艺术家。作品收录《世界美术家大辞典》和《典范中国》——影响中国艺坛名家名作。2023年被中国美术出版社编入《中国美术通史》和《中国书法全集》。第三届全国“百花园”少儿书画大赛中荣获优秀辅导老师。《书法360》理论文章被中国文字博物馆收藏;作品被中国邮政总局作为邮票图案在全国流通发行。
《书法3 6 0》
——全国大书法教育名师李利
文房四宝,笔墨纸砚;
选笔之要,尖圆齐健;
生宣行草,楷用半宣;
软硬笔锋,根据习惯;
行草锋长,真书用短;
调墨之法,行草则淡;
以墨而定,二八为伴;
书体有别,不同握管;
距锋高度,楷二行三;
以字取势,悬肘悬腕;
初之习书,字帖常看;
临墓读练,抓住关键;
研究结体,把握走线;
展纸欲书,意在笔前;
沉着静思,字体脑现;
意笔有序,心手相联;
举笔淡定,气运丹田;
全力激发,始于笔端;
挥毫落笔,贯气自然;
字体壮端,结体关键;
如同建筑,一笔一砖;
中宫收紧,字形不散;
左轻右重,败笔不见;
重心要稳,固如泰山;
避让穿插,左顾右盼;
废除八病,养成习惯;
存筋藏锋,无道隐端;
崩浪雷奔,稳重安点;
万岁枯藤,千里云担;
劲努筋节,百钧弩弯;
陆断犀牙,取物为观;
草亦兼真,真含草间;
偃仰斜侧,曲直方园;
中侧并举,疾迟相间;
中锋厚重,側锋轻翩;
缓以效古,急则求变;
平斜利俊,肥瘦长短;
捻管用笔,提按使转;
点画呼应,笔断意连;
涩势欲用,如同撑船;
时起时伏,变化多端;
防止雷同,笔法变换;
行如流水,止似龙盘;
提字落款,更要养眼;
布局谋篇,章法美观。
Calligraphy 3 60
——National Famous Calligraphy Education Teacher Li Li
The Four Treasures of Study, Pen, Ink, Paper, and Inkstone;
When choosing a pen, it should be sharp, round, and sharp;
Sheng Xuan Xing Cao, Kai uses half Xuan;
Soft and hard strokes, according to habit;
The cursive blade is long, while the true book is short;
The method of adjusting ink, the grass is light;
Determined by ink, accompanied by two or eight;
There are differences in the style and grip of the book;
Distance from the peak, in regular script, two lines and three lines;
Using words to draw momentum, hanging elbows and wrists;
At the beginning of studying, I often read calligraphy and calligraphy;
Reading and practicing at the tomb, grasping the key;
Study the structure and grasp the routing;
Spreading paper and wanting to write, with the intention of writing;
Calm and contemplative, the font comes to mind;
The strokes are orderly, and the hearts and hands are connected;
Hold the pen calmly, and bring good luck to the dantian;
Full force stimulation starts with the pen;
Swinging the brush with ease, penetrating the air naturally;
Strong font and key structure;
Like architecture, one brick at a time;
The central palace is tightened and the shape is not scattered;
Left light and right heavy, failing to see the pen;
The center of gravity should be stable, as solid as Mount Taishan Mountain;
Avoid crossing and looking left and right;
Abolish the eight diseases and cultivate habits;
Preserve the tendons and hide the sharp edges, without the hidden end of the path;
Breaking waves and thunder rushing, steady and steady;
Long live the withered vines, carrying clouds for thousands of miles;
Struggling with strength, bending with a hundred strong crossbows;
Lu Duan rhinoceros teeth, taking objects for observation;
Grass is also true, truly containing the grass;
Yanyang oblique side, curved and straight square garden;
Middle side standing side by side, with alternating diseases and delays;
The center is heavy and the side is light and graceful;
Slow to emulate the past, urgent to seek change;
Flat and handsome, fat and thin in length;
Twist the tube with a pen, lift and press to rotate;
Dotting echoes, the pen breaks and the meaning is connected;
Intense to use, just like pulling a boat;
Rising and falling, constantly changing;
Prevent similarity and changes in brushwork;
Walk like flowing water, stop like a dragon;
Writing and signing should be more eye-catching;
Layout and composition are aesthetically pleasing.
主办:国宾礼书画网
中华人民共和国信息产业部备案号:鲁ICP备19024041号-1