国宾礼书画网欢迎您!
  • 世界非物质文化遗产研究院副院长——张泽民
  • 中国书画研究中心副主任——姜大文
  • 三地风华——跨越海峡的书画情港澳台书画作品大展皮恩成
  • 世界非物质文化遗产研究院副院长——佘祥胜
  • 世界非物质文化遗产研究院副院长——陈燕飞
  • 王培学——2024年中欧书画名家国际艺术线上交流展
  • 孔广生——2024年中欧书画名家国际艺术线上交流展
  • 黄汇珍——2024年中欧书画名家国际艺术线上交流展
  • 郭斌——2024年中欧书画名家国际艺术线上交流展
  • 乐晚生——2024年中欧书画名家国际艺术线上交流展
  
  
资讯中心
2024年中欧书画名家国际艺术线上交流展——李利
来源: | 作者:pmt70da0b | 发布时间: 2024-04-22 | 84 次浏览 | 分享到:

云图片


云图片


李利,男,1958年生,河南沈丘县人,大学学历,河南省书法家,周口市书画研究会理事,中国老年书画研究会会员,中国硬笔书法协会会员,全国书法教育名师,国家一级书法师,2024年特聘中国东方文化研究会高级艺术顾问,2024年特聘中国翰林书画院院士、《羲之报》签约艺术家。


    撰写并发表有《文字的起源与书体变革》、《楷书结字歌》、《楷书的学习》、《书法中的哲学运用》、《书法360》、《行书要诀》等理论文章,2020年被中国书协编入1949-2020《名家档案》——走向国际的华人艺术家。作品收录《世界美术家大辞典》和《典范中国》——影响中国艺坛名家名作。2023年被中国美术出版社编入《中国美术通史》和《中国书法全集》。第三届全国“百花园”少儿书画大赛中荣获优秀辅导老师。《书法360》理论文章被中国文字博物馆收藏;作品被中国邮政总局作为邮票图案在全国流通发行。


云图片


《书法3 6 0》



——全国大书法教育名师李利


文房四宝,笔墨纸砚;


选笔之要,尖圆齐健;


生宣行草,楷用半宣;


软硬笔锋,根据习惯;


行草锋长,真书用短;


调墨之法,行草则淡;


以墨而定,二八为伴;


书体有别,不同握管;


距锋高度,楷二行三;


以字取势,悬肘悬腕;


初之习书,字帖常看;


临墓读练,抓住关键;


研究结体,把握走线;


展纸欲书,意在笔前;


沉着静思,字体脑现;


意笔有序,心手相联;


举笔淡定,气运丹田;


全力激发,始于笔端;


挥毫落笔,贯气自然;


字体壮端,结体关键;


如同建筑,一笔一砖;


中宫收紧,字形不散;


左轻右重,败笔不见;


重心要稳,固如泰山;


避让穿插,左顾右盼;


废除八病,养成习惯;


存筋藏锋,无道隐端;


崩浪雷奔,稳重安点;


万岁枯藤,千里云担;


劲努筋节,百钧弩弯;


陆断犀牙,取物为观;


草亦兼真,真含草间;


偃仰斜侧,曲直方园;


中侧并举,疾迟相间;


中锋厚重,側锋轻翩;


缓以效古,急则求变;


平斜利俊,肥瘦长短;


捻管用笔,提按使转;


点画呼应,笔断意连;


涩势欲用,如同撑船;


时起时伏,变化多端;


防止雷同,笔法变换;


行如流水,止似龙盘;


提字落款,更要养眼;


布局谋篇,章法美观。


云图片


Li Li, male, born in 1958 in Shenqiu County, Henan Province, holds a university degree. He is a calligrapher from Henan Province, a director of the Zhoukou Calligraphy and Painting Research Association, a member of the China Elderly Calligraphy and Painting Research Association, a member of the China Hard Pen Calligraphy Association, a national calligraphy education master, and a national first-class calligrapher. In 2024, he was specially appointed as a senior art consultant of the China Eastern Culture Research Association. In 2024, he was specially appointed as an academician of the Chinese Hanlin Calligraphy and Painting Academy and a contracted artist of the Xizhi Daily.


云图片


I have written and published theoretical articles such as "The Origin of Writing and the Transformation of Calligraphy Style", "The Song of Jiezi in Kaishu", "The Learning of Kaishu", "The Philosophical Application in Calligraphy", "Calligraphy 360", "The Essentials of Running Script", etc. In 2020, I was included in the "Archives of Famous Chinese Artists" published by the China Calligraphy Association from 1949 to 2020- "Chinese Artists Going International". The works are included in the "World Artists Dictionary" and "Model China" - masterpieces that have influenced the Chinese art industry. In 2023, it was included in the "General History of Chinese Art" and "Complete Collection of Chinese Calligraphy" by China Art Publishing House. Won the title of Excellent Tutor in the Third National "Hundred Flowers Garden" Children's Calligraphy and Painting Competition. The theoretical articles of "Calligraphy 360" are collected by the Chinese Character Museum; The work has been circulated and distributed nationwide as a stamp pattern by the General Administration of Posts of China.






Calligraphy 3 60





——National Famous Calligraphy Education Teacher Li Li




The Four Treasures of Study, Pen, Ink, Paper, and Inkstone;



When choosing a pen, it should be sharp, round, and sharp;



Sheng Xuan Xing Cao, Kai uses half Xuan;



Soft and hard strokes, according to habit;



The cursive blade is long, while the true book is short;



The method of adjusting ink, the grass is light;



Determined by ink, accompanied by two or eight;



There are differences in the style and grip of the book;



Distance from the peak, in regular script, two lines and three lines;



Using words to draw momentum, hanging elbows and wrists;



At the beginning of studying, I often read calligraphy and calligraphy;



Reading and practicing at the tomb, grasping the key;



Study the structure and grasp the routing;



Spreading paper and wanting to write, with the intention of writing;



Calm and contemplative, the font comes to mind;



The strokes are orderly, and the hearts and hands are connected;



Hold the pen calmly, and bring good luck to the dantian;



Full force stimulation starts with the pen;



Swinging the brush with ease, penetrating the air naturally;



Strong font and key structure;



Like architecture, one brick at a time;



The central palace is tightened and the shape is not scattered;



Left light and right heavy, failing to see the pen;



The center of gravity should be stable, as solid as Mount Taishan Mountain;



Avoid crossing and looking left and right;



Abolish the eight diseases and cultivate habits;



Preserve the tendons and hide the sharp edges, without the hidden end of the path;



Breaking waves and thunder rushing, steady and steady;



Long live the withered vines, carrying clouds for thousands of miles;



Struggling with strength, bending with a hundred strong crossbows;



Lu Duan rhinoceros teeth, taking objects for observation;



Grass is also true, truly containing the grass;



Yanyang oblique side, curved and straight square garden;



Middle side standing side by side, with alternating diseases and delays;



The center is heavy and the side is light and graceful;



Slow to emulate the past, urgent to seek change;



Flat and handsome, fat and thin in length;



Twist the tube with a pen, lift and press to rotate;



Dotting echoes, the pen breaks and the meaning is connected;



Intense to use, just like pulling a boat;



Rising and falling, constantly changing;



Prevent similarity and changes in brushwork;



Walk like flowing water, stop like a dragon;



Writing and signing should be more eye-catching;



Layout and composition are aesthetically pleasing.



云图片




          云图片       云图片





云图片


云图片




云图片


云图片




云图片


云图片


云图片




    云图片


    
  
信息公开