娄本义，现为环球华商书画艺术委员会理事、中国瀚海雅墨书画艺术协会名誉会长、中国非物质文化遗产保护联盟书画艺术委员会委员、中国非物质文化遗产研究院智库专家、中国书画报社特聘画家、中国民族建筑研究会书画艺术专业委员会理事会理事、东方艺术天地艺术顾问、瑞源阁书画紫砂艺术研究院常务理事、国家高级美术师香港书法家协会理事、中央艺术名家书画院首批央美智库专家。娄本义先生，自幼受家庭影响，酷爱书画艺术，书法从“柳、颜”入手，上溯“二王”，后崇米芾、王铎、吴昌硕书风格，用功尤深。绘画上在上世纪70年代末80年代初，有幸拜吴昌硕弟子陈荆源、王个簃先生为师，作为入室弟子谨遵先生教诲，“取法乎上、得其乎中、取法乎中、得其乎下、取法乎下、啥也不啥"。远追石涛、八大青藤、扬州八怪、任伯年、赵之谦、吴昌硕之风，寻根溯源，继承祖国的绘画传统。1984-1985年参加由王个簃先生主讲的上海《中国青年报》篆刻函授班。1988年在中国书画函授大学毕业。1985年参加全国青年篆刻大奖赛并获三等奖。70年代末80年代初作品多次参加省市展览并获奖。

Lou Benyi is currently a member of the Global Chinese Merchants Calligraphy and Painting Art Committee, Honorary President of the China Hanhai Yamo Calligraphy and Painting Art Association, Member of the Calligraphy and Painting Art Committee of the China Intangible Cultural Heritage Protection Alliance, Expert of the Think Tank of the China Intangible Cultural Heritage Research Institute, Special Painter of the China Calligraphy and Painting Newspaper, Director of the Calligraphy and Painting Art Professional Committee of the China Ethnic Architecture Research Association, Art Advisor of the Oriental Art World, Executive Director of the Ruiyuange Calligraphy and Painting Purple Sand Art Research Institute, Member of the Hong Kong Calligraphers Association of National Senior Artists, and Expert of the First Batch of Central American Think Tank of the Central Academy of Fine Arts Calligraphy and Painting. Mr. Lou Benyi was influenced by his family from a young age and had a passion for calligraphy and painting. His calligraphy started with "Liu and Yan" and traced back to "Two Kings". Later, he admired the calligraphy styles of Mi Fu, Wang Duo, and Wu Changshuo, and was particularly diligent. In terms of painting, in the late 1970s and early 1980s, I had the privilege of learning from the disciples of Wu Changshuo, Chen Jingyuan and Wang Geqian. As a disciple of Wu Changshuo, I followed his teachings and learned that "taking the method from the top, getting it from the middle, getting it from the middle, getting it from the bottom, getting it from the bottom, and taking it from the bottom, nothing at all." I followed the style of Shi Tao, Eight Great Green Vines, Eight Eccentrics of Yangzhou, Ren Bonian, Zhao Zhiqian, and Wu Changshuo, tracing their roots and inheriting the painting tradition of our country. From 1984 to 1985, I participated in the Shanghai "China Youth Daily" seal cutting letter taught by Mr. Wang Geqian. Class teaching. Graduated from the Correspondence University of Chinese Calligraphy and Painting in 1988. In 1985, participated in the National Youth Seal Engraving Grand Prix and won the third prize. In the late 1970s and early 1980s, his works participated in provincial and municipal exhibitions multiple times and won awards.

中华文化全球推广大使作品展播

2014年参加全国“草人杯”大奖赛获二等奖。参加在中华世纪坛举办的“留香墨韵”全国书画艺术家作品联谊展。

2015年9月，参加“铭记历史·珍惜和平”纪念中国人民抗日战争胜利暨反法西斯战争胜利70周年书画展，书法条屏及国画牡丹双双入展并被组委会收藏。同年被提名为“中美杰出华人艺术家”候选人，其作品拟被选为美国邮票图案在全美及全球公开发行。

2016年，在纪念房山石经刊刻与云居寺创建1400周年之际，书法作品四尺、十二条屏被云居寺文物管理处收藏;同年12月，作品《富贵神仙》入选北京纪念长征胜利80周年书法美术摄影展，并被组委会收藏。同年入选庆祝中国共产党成立95周年《时代先锋·中国当代书画名家邮册》;参加第二届华夏之星中国书画人才海选活动，书法、绘画作品分别入选获奖，并被中国书画家报社聘为特聘书画家。同年应中国企业报道邀请参加优秀人民艺术家献礼全国两会活动。

2017年，作品被北京市人民政府收藏。同年入选《喜迎中国共产党第十九次全国代表大会“不忘初心，继续前进"邮册》;作品获“不忘初心、牢记使命、继续前行”书画展一等奖。

2018年，经中企报盟信息科学研究院综合评定，入选“中国书画名家库”;同年，在中国老龄委举办的爱心公益事业“心灯点亮”孝道活动中获得赞誉;获得全国两会重点推荐"人民艺术家"称号;9月加入中国书画家联谊会新文艺群体书画家工作委员会。

2019年2月，《中国书画家报》在“新时代书画艺术家风采系列推荐展示"活动中对其进行刊登报道。4月，获2019寻找知名书画家网络评选大赛第三名。8月，作品寿桃和荷花入选庆祝中华人民共和国成立七十周年国际书画展。

2021年5月，入编由雅亭斋文化传媒编纂的建党百年献礼巨作《聚焦中国当代艺术家》。

In 2014, he participated in the National "Grass Man Cup" Grand Prix and won the second prize. Participated in the National Calligraphy and Painting Artist Works Friendship Exhibition "Lingering Fragrance and Ink Charm" held at the Chinese Century Altar.

In September 2015, he participated in the "Remembering History and Cherishing Peace" calligraphy and painting exhibition to commemorate the 70th anniversary of the victory of the Chinese People's War of Resistance Against Japanese Aggression and the Anti Fascist War. The calligraphy strip screen and traditional Chinese painting peony were both exhibited and collected by the organizing committee. In the same year, he was nominated as a candidate for "Outstanding Chinese Artists in China and the United States", and his works were planned to be selected as American stamp patterns for public distribution in the United States and globally.

In 2016, on the occasion of commemorating the publication of the Fangshan Stone Classics and the 1400 anniversary of the establishment of Yunju Temple, calligraphy works of four feet and twelve screens were collected by the Yunju Temple Cultural Relics Management Office; In December of the same year, the work "Rich and Noble Immortals" was selected for the Beijing Calligraphy, Art and Photography Exhibition to commemorate the 80th anniversary of the victory of the Long March, and was collected by the organizing committee. In the same year, he was selected to celebrate the 95th anniversary of the founding of the CPC; Participated in the 2nd Huaxia Star Chinese Calligraphy and Painting Talent Selection Event, and won awards for calligraphy and painting works. Was also hired as a special calligrapher and painter by the Chinese Calligraphers and Painters Newspaper. In the same year, I was invited by Chinese companies to participate in the National People's Congress and Chinese People's Political Consultative Conference as a gift from outstanding artists.

In 2017, the work was collected by the Beijing Municipal People's Government. In the same year, he was selected into the "Welcome to the 19th National Congress of the CPC," "Keep the original intention in mind, and keep moving forward" album; his work won the first prize in the calligraphy and painting exhibition "Keep the original intention in mind, keep the mission in mind, and keep moving forward".

In 2018, after comprehensive evaluation by the Information Science Research Institute of the China Enterprise Newspaper Alliance, it was selected as one of the "Chinese Calligraphers and Painters Library"; In the same year, he received praise at the "Heart Lamp Illumination" filial piety activity organized by the China Aging Commission for his love and public welfare work; Received the title of "People's Artist" recommended by the National People's Congress and Chinese People's Political Consultative Conference; Joined the Calligrapher and Painter Working Committee of the New Art Group of the Chinese Calligrapher and Painter Association in September.

In February 2019, the Chinese Calligraphers and Painters Daily published a report on it during the "New Era Calligraphers and Painters Artist Style Series Recommendation Exhibition". In April, it won third place in the 2019 Search for Famous Calligraphers and Painters Online Selection Competition. In August, its works, Shoutao and Lotus, were selected for the International Calligraphy and Painting Exhibition to celebrate the 70th anniversary of the founding of the People's Republic of China.

In May 2021, I joined the compilation of the century old tribute masterpiece "Focusing on Contemporary Chinese Artists" by Yating Zhai Cultural Media.

娄本义先生的花鸟作品，注重笔墨与色彩的有机结合，表现出鸟语花香自然万物勃勃生机的清雅之境。他善画写意花鸟画，他的作品清晰的体现着自己对艺术实践的开创性探索，他的画既大气厚重，又掺揉着一些细腻与飘逸。他的花鸟世界，尽显和谐与情趣，美不胜收。他善于捕捉一花一物的天趣，融神于景，融情于形。

欣赏娄本义先生的作品，你往往会无意识调动自身的情绪去感悟，去体会心灵家园的意义。或许只有这样，才能读懂他作品中深含的人生哲理，才能理解画家通过个性的画布载体，向芸芸众生所倾诉其内心世界的艺术情素，从而寻找到生命中一个新的支点，新的精神寄托和诗意的美好。这，就是他画风的艺术魅力。

Mr. Lou Benyi's flower and bird works emphasize the organic combination of pen, ink, and color, expressing the elegant atmosphere of birds singing, flowers fragrant, and natural vitality of all things. He is good at freehand flower and bird painting, and his works clearly reflect his pioneering exploration of artistic practice. His paintings are both grand and heavy, and mixed with some delicacy and elegance. His world of flowers and birds is full of harmony and charm, breathtaking. He is good at capturing the natural beauty of every flower and object, blending spirit with scenery and emotion with form.

Appreciating Mr. Lou Benyi's works, you often unconsciously mobilize your emotions to comprehend and appreciate the meaning of the spiritual home. Perhaps only in this way can we understand the profound philosophy of life contained in his works, and understand the artist's artistic sentiments in expressing his inner world to the masses through his personalized canvas carrier, thus finding a new fulcrum in life, new spiritual sustenance, and poetic beauty. This is the artistic charm of his art style.

娄本义先生的作品，设色自如，色块氤氲，点彩精确，把山水的自然美与丰富想象力有机融合在一起，物象鲜活、绘风生动。他的笔墨随情节而走，有法而无法，有我而忘我，不觉然而然。观看他的画作如置身自然，环而望之，似梦非梦之中，好不惬意洒脱。

娄本义先生善画写意花鸟画，他的作品清晰的体现着自己对艺术实践的开创性探索，他的画既大气厚重，又掺揉着一些细腻与飘逸。他的花鸟世界，尽显和谐与情趣，美不胜收。他善于捕捉一花一物的天趣，融神于景，融情于形

娄本义先生笔下的墨荷，笔法精妙，浓淡皆宜，格调高雅，诗意盎然;墨在他的笔下，似乎有了自己独特的灵魂。

看娄本义先生的作画，笔法的自由放纵，画格的清新纯朴，总是洋溢着浓厚的生活气息。他的画既有高超的造型能力，又具高雅的笔墨格调，意境超然脱俗。就是这样的信仰与热爱，让绘画在他的心里生根发芽。

娄本义先生笔墨广泛，山水、花鸟、草虫、书法皆有涉猎，如百般红紫，各有芳菲。无论是巨幅创作，还是盈尺小品，那种水痕墨气，跃然纸上，其作画神态，亦见于法度与性情之间，而落笔如云烟，胸中之郁勃，笔底造化，都在瞬息之间，如此种种，足以见得他的文化修养、精神境界与智慧灵性。

Mr. Lou Benyi's works are freely colored, with dense color blocks and precise coloring. They organically blend the natural beauty of mountains and rivers with rich imagination, creating vivid objects and a vivid painting style. His pen and ink follow the plot, with laws but unable, with me but forgetting myself, unconsciously but naturally. Watching his paintings feels like being in nature, surrounded by it, as if in a dream but not in a dream, very comfortable and free spirited.

Mr. Lou Benyi is skilled in freehand flower and bird painting, and his works clearly reflect his pioneering exploration of artistic practice. His paintings are both grand and heavy, while also blending some delicacy and elegance. His world of flowers and birds is full of harmony and charm, breathtaking. He is good at capturing the natural charm of every flower and object, integrating spirit into scenery and emotion into form

Mr. Lou Benyi's ink lotus is exquisitely crafted, suitable for both intensity and elegance, with an elegant and poetic style; Under his pen, Mo seems to have his own unique soul.

Looking at Mr. Lou Benyi's paintings, the free and unrestrained brushstrokes, the fresh and simple brushstrokes, always exude a strong sense of life. His paintings possess both superb modeling ability and elegant brushstrokes, creating a transcendent and refined artistic conception. It is this kind of faith and love that allowed painting to take root and sprout in his heart.

Mr. Lou Benyi has a wide range of brushstrokes, covering landscapes, flowers and birds, grass and insects, and calligraphy, all of which are as diverse as red and purple, each with its own beauty. Whether it is a large-scale creation or a small piece full of ink, the ink and water marks on the paper are vividly portrayed, and his painting demeanor is also reflected in the relationship between law and temperament. His brushstrokes are like clouds and smoke, his chest is full of vitality, and his brushstrokes are all in an instant. All of these are enough to show his cultural cultivation, spiritual realm, and wisdom and spirituality.

娄本义先生写篆书,非常在意笔墨的书写效果。取法峄山碑,却不仅仅反馈回来碑字的立骨精神,还通过精研覃思表现出笔墨书写的传神魅力!形神兼备,尤其贵于神!字字有跃、腾、奔、卧的人格姿态,让书法完完全全回归到了艺术的界域之内。所以观赏他的篆书作品,一定会被传承与创新而凝聚起来的独家创作力而大为折服!

娄本义先生磨砺书道，有穷研篆籀的觉悟。取法泰山碑的正大气象，参意峄山笔的典雅圆活，把篆书一体写得饱满圆厚，丰姿多神。很善于笔法的使转策略，转笔处多，逸转而过，不是俗笔的转折成滞，自始致终可以把中锋行笔控制得游刃有余。所以他的篆书笔意很滑畅，绝无结与节，这是贵得笔法的根基，也是把篆书写得刚柔相济的重要资粮。善作篆书者，既是寻到了书法用笔的本与源!依源本觉悟书道，水到渠成!

文/田野

Mr. Lou Benyi is very concerned about the writing effect of his pen and ink when writing seal script. The Yishan Monument not only reflects the spirit of the inscriptions on the monument, but also showcases the vivid charm of ink and brush writing through careful study and contemplation! Having both form and spirit, especially more precious than spirit! The personality postures of jumping, leaping, running, and lying in each character have completely returned calligraphy to the realm of art. So when you watch his seal script works, you will definitely be greatly impressed by the exclusive creative power condensed by inheritance and innovation!

Mr. Lou Benyi honed his calligraphy skills and had the consciousness to study seal and Zhou. Take the grand view of Mount Taishan Stele, and refer to the elegant and round strokes of Mount Yi, to write the seal script in a full, round and vivid way. I am very good at using turning strategies in my writing skills. I have many turning points and can easily control the center stroke from beginning to end, avoiding the inflection and stagnation of traditional brushstrokes. So his seal script has a smooth and smooth brushwork, without any knots or knots. This is the foundation of his expensive brushwork and an important resource for writing seal script with a balance of hardness and softness. Those who are good at seal script have not only found the origin and origin of calligraphy strokes! According to the source of enlightenment, the book path will come naturally!

Wen/Tian Ye